Peter Gahn ぺーター・ガーン
ink, colours and gold on paper I
アンサンブル
Fl,Klar(B), Schlgzg,Klav, 2Vl,Vc
(2004)
11 min
神奈川県民ホール開館30周年記念コンサート委嘱作品
Edition Juliane Klein
演奏
- 世界初演: アンサンブル・ノマド 東京 神奈川県民ホール 2004
- その他の演奏者:ensemble Insomnio, Utrecht
- その他の演奏:オランダ アムステルダム ガウデアムス国際音楽週間
受賞
- 第26回入野賞国際作曲賞受賞
録音
- live recording, Ensemble Nomad Tokyo, Kanagawa Prefecture Public Hall 2004
Ensemble Nomade © Satoshi Aoyagi 2004
プログラムノー
This piece is, like a lot of my music, influenced by a fine art
work. An exhibition of Paul Gauguin's pictures showed me the magic of the
clearly shaped areas filled with marvellous colours, wich led me to the wish
to hear music filled with areas like in his pictures. In Japan I found magic
areas in a lot of paintings, including for example the famous
raku-chu/raku-gai works, the genji-monogatari e-maki, works of Sotatsu etc..
All this paintings are discribed in art catalogues by "ink, colours and gold
on paper", so I choosed this as a title.
Vibriting areas on a golden background, somtimes covered with golden clouds
(genji-gumo) have strong energy, without forcing the observer into a special
thought or emotion. The golden background gives the colours an intensive
illumination. There is no perspective wich leads to somewhere, the flat
background dematerializes itself. This effect can be also experienced in
japanese style rooms with flat walls and is very special, if it is a byobu-e
standing in the room wich creates a space in the space.
To get strong deep colours in the areas, I used the technique of overlaying
two layers of mixed coulours:
These two layers are representeted by the group clarinet/piano and the group
flute/violoncello/percussion, wich are playing the same music but in a
different realization. The listener can choose on wich group he concentrates
or maybe on the golden background/foreground played by the violins, coming to
the space behind the music.
(Peter Gahn)